"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Iñigo Manglano-Ovalle at home in Chicago, with photographs of the installation "The Garden of Delights" (1998) at the XXIV Sao Paulo Bienal.
Producer: Susan Sollins & Nick Ravich. Camera: Mark Falstad. Sound: Heidi Hesse. Editor: Steven Wechsler. Artwork courtesy: Iñigo Manglano-Ovalle. Thanks: Max Protetch Gallery.