"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Dancer/choreographer Dean Moss discusses his collaboration with visual artist Laylah Ali, entitled "figures on a field" (2005). This behind-the-scenes look features preliminary rehearsals at MASS MoCA in North Adams, Massachusetts, as well as a preview performance at The Kitchen in New York City.
An artist working in both dance and video, Dean Moss’s recent projects use the irrational logic of the body to articulate personal, cultural, and socioeconomic forces that impact a perception of self and environment.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Tom Hurwtiz & Joel Shapiro. Sound: Tom Bergin & Roger Phenix. Editor: Joaquin Perez. Artwork Courtesy: Laylah Ali & Dean Moss. Special Thanks: MASS MoCA & The Kitchen. © 2010 Art21, Inc.