"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Mel Chin describes the origins and motivations behind the nationwide art project "Paydirt" in a keynote address to the 2008 National Art Education Association Convention, and visits multiple sites in New Orleans adversely affected by both Hurricane Katrina and lead contamination in the soil.
The high lead content of soil in New Orleans — among the worst in the country — was exacerbated by the havoc wreaked by the hurricane in 2005. Discovering that “the disaster was in the soil before the disaster,” Chin felt he had to do something about it as an artist. Speaking before a crowd of thousands of art educators from across the country, Chin recounts, “I remember standing in the ruins of the Ninth Ward and realizing as a creative individual that I felt hopeless and inadequate. And I was flooded by this terrible insecurity that being an artist was not enough to deal with the tragedy that was before me.” Thus "Paydirt," and its sister initiative, the "Fundred Dollar Bill Project" was born.
Producer: Larissa Nikola-Lisa & Kelly Shindler. Camera: Larissa Nikola-Lisa. Sound: Wesley Swinnen. Editor: Lizzie Donahue & Larissa Nikola-Lisa.