"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From the series, "Exclusive"
Artist Oliver Herring discusses what he perceives as generational shifts in our relationship to the camera, mortality, and legacy, accompanied by scenes from his five-channel video installation "Little Dances of Misfortunes" (2001) — created after 9/11 — which depicts amateur dancers illuminated by phosphorescent body paint.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Jenny Chiurco. Artwork Courtesy: Oliver Herring.