"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From the series, "Exclusive"
Interviewed in his Los Angeles studio, Paul McCarthy discusses the genesis of his "Black and White Tapes" (1970–75), a suite of 13 videos begun while he was a student at the University of Southern California (USC). Also featuring excerpts from the video "Ma Bell" (1971) and works in the exhibition "Central Symmetrical Rotation Movement—Three Installations, Two Films" (2008) at the Whitney Museum of American Art in New York.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom & Richard Numeroff. Sound: Doug Dunderdale & Merce Williams. Editor: Lizzie Donahue & Joaquin Perez. Artwork Courtesy: Paul McCarthy. Special Thanks: Whitney Museum of American Art.