"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Filmed in his Los Angeles studio, two of Paul McCarthy's long-time assistants — Thomas Harris and Craig McIntyre — describe the process of sculpting, molding, and fabricating the artist's large-scale works. Likening McCarthy's artistic approach to taking a "snapshot of disorder" that's then meticulously reproduced, Harris and McIntyre discuss how the formal qualities of the work dovetail with themes of chaos and debauchery.
CREDITS | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Robert Elfstrom. Sound: Doug Dunderdale. Editor: Joaquin Perez. Artwork Courtesy: Paul McCarthy. Special Thanks: Thomas Harris & Craig McIntyre. Video: © 2012, Art21, Inc. All rights reserved.