"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Artist Robert Mangold, speaking from his upstate New York studio in 2011, explains how his friendship with the late artist Sol LeWitt, as well as his experience working as a security guard at the Museum of Modern Art in New York, influenced his approach to making art. Mangold worked at MoMA in the early 1960s, when guarding the museum’s exhibitions was a common occupation for artists and poets, and it was here that he first met LeWitt (as well as Robert Ryman). LeWitt became one of Mangold’s closest friends.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Morgan Riles & Mark Sutton. Artwork Courtesy: Robert Mangold. Archival Images Courtesy: Robert Mangold & Sylvia Plimack Mangold. Photography: John Sherman. Theme Music: Peter Foley.