"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
From the series, "Exclusive"
In his 2005 production of Mozart’s "The Magic Flute" (1791), artist William Kentridge reframes the opera’s original themes of Enlightenment philosophy through the bitter legacy of colonialism. “The most toxic combination in the world is…the certainty of being right and a monopoly of power,” says the artist, who casts the character of Sarastro in the role of a colonial overlord, “a benevolent figure that hides a monster.”
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Mary Ann Toman. Archival Footage Courtesy: Mann Made Media & Theatre de la Monnaie. Artwork Courtesy: William Kentridge. Video: © 2011 Art21, Inc. All rights reserved.