Silicone casts of body parts fuse to stainless steel canvases, bodily orifices penetrate digital landscapes, and abstracted images of flesh and machine blur in the uncannily visceral works of artist Tishan Hsu.

This documentary short sees An-My Lê return to the site of her 2003–2004 series 29 Palms, to create a new 2026 work, Way Station.